2001 Art Deco Congress
About the Congress
The Sixth World Congress (2001)
Art Deco Driving and Walking Tours
The first World Congress on Art Deco®
took place in January of 1991, in Miami Beach, Florida, under the
leadership of the late Barbara Baer Capitman. The response was so
enthusiastic that additional Congresses have been held every two
years since.
Previous World Congresses
1991 - Miami Beach, Florida
1993 - Perth, Western Australia
1995 - Brighton, England
1997 - Los Angeles, California
1999 - Napier, New Zealand
2001 - Tulsa, Oklahoma
2003 - Cape Town, South Africa
Congress Mission
The Mission of the First World Congress was: To
provide a scholarly forum for the worldwide exchange and promotion
of ideas and information about Art Deco. The goals were:
-
To promote the understanding of Art Deco as a
world-wide design movement.
-
To identify sites and monuments around the
world.
-
To network preservation groups.
-
To promote the conservation and preservation of
inventoried sites and monuments.
-
To utilize Art Deco as an opportunity for
economic development through tourism.
-
To raise the level of public awareness of Art
Deco.

The emphasis of previous World Congresses on Art
Deco® have been on the
origins and antecedents of the architectural style referred to as
Art Deco. The evolution of the style, from sources as diverse as
Egyptian antiquities to Art Nouveau, has been discussed in an effort
to define the Art Deco style and to place it within the chronology
of Western aesthetic history. Assuming that Art Deco did evolve from
a variety of sources, the goal of the Sixth World Congress was to
explore Art Deco's evolution after World War II: therefore the
Congress' theme, "Deco: Where Did It Go?"
Using the City of Tulsa as a laboratory, the
Sixth World Congress examined the architectural statements created
by Tulsa architects in the period between the wars. These buildings,
which fall well within the generally accepted stylistic parameters
of Art Deco, were contrasted with post-war examples created by the
same architects and their students. This critical examination
focused primarily on the work of Tulsa architects, Bruce Goff,
Joseph Koberling and Leon B. Senter. Additionally, the Tulsa
laboratory served as an example of failures and successes in the
preservation of an existing collection of Art Deco buildings.
Lessons learned from vacant lots illustrated a second, more literal
theme of the Congress' theme, "Deco: Where Did It Go?"
Following the successful formats of previous
World Congresses, the Sixth World Congress provided lectures and
seminars in the mornings, followed by an afternoon of group tours.
Morning sessions offered an opportunity for delegates to concentrate
on their specific needs and areas of interest.
The World Congress on Art
Deco® is a registered trademark of the Miami Design Preservation
League, Inc.
All rights reserved worldwide. |